News
The beautiful violin solo in the Scherzo of Schumann's Fourth Symphony, just released, is performed by Siegfried Borries, at that time First Konzertmeister of the Berlin Philharmonic.
Born in Münster in 1912, he studied violin with, among others, Bram Eldering at the Cologne School of Music. In 1932, he won both the International Grand Prix awarded in Vienna and the Mendelssohn Prize granted by the Berlin Academy of Music.
At the age of just 21, Furtwängler appointed him Konzertmeister of the Berlin Philharmonic, where he succeeded Henry Holst. He left the orchestra at the end of 1941, and became guest Konzertmeister at the Berlin Staatskapelle conducted by Karajan. He rejoined the Philharmonic in July 1945. Distancing himself from the Orchestra in 1957, he left for good in 1961.
From 1946 onwards, he gave masterclasses at the Berlin International Music Institute, and taught violin at the Berlin Musikhochschule from 1948. He died in 1980.
Siegfried Borries, Munich, May 1953
As previously announced, a new product is now available on the shop:
SWF D15
In addition to the 1953 Deutsche Grammophon recording with the Berliner, now re-mastered in high definition, you will find a facsimile of the original score used by Furtwängler, with its numerous annotations and modifications (lightening of the orchestration). The booklet (25 pages!) includes an analysis by conductor Jan Moritz Onken, translated by Marc Trautmann, so you can follow the score while listening to Furtwängler's performance.
We therefore invite you to immerse yourself totally in Furtwängler's grandiose vision and artistic work. We remind you that the license obtained from Universal (DGG registration) has been granted for 3 years, and excludes streaming. So don't delay, and enjoy the download.
... But not forgetting to watch the podcast.
The development of this product proved costly: license granted by Universal, cost of scanning the score (Zentrabibliothek, Zürich), cost of translating (French + English) the 60 pages of Onken's work...
So we hope you will understand why the price is €15.00, a higher price than usual, but inferior to the real cost price of the product.
The SWF has made an exceptional effort to make this extraordinary project a reality, and now it's time for you to enjoy it...
We have just been informed of the death of pianist François Kerdoncuff, born in 1954, after a long illness that kept him away from the stage for several years.
A great admirer of Furtwängler's art, he was also deeply involved in the performance of the musician's works, playing and recording the two violin sonatas and the Klavierquintett.
He took part in several concerts organized by the SWF, notably with mezzo-soprano Brigitte Balleys in 1999, and cellist Henri Demarquette in 2004. He had performed Brahms's 4 Ballades op. 10 as part of the tribute to our former president Philippe Leduc, just ten years ago.
The SWF expresses its sympathy to his family, and especially to his children.
François Kerdoncuff rehearsing the Klavierquintett on Furtwängler's Bechstein. Clarens, May 1993.
Nearly fifteen years ago, a document from the SWF, Furtwängler in Kassel featured the recollections of Hans Joachim Schaeffer, who worked at the city's Staatstheater, and notably highlighted the importance of the invitation of Furtwängler to conduct the opera orchestra.
On the programme, preceding Beethoven's 1st Symphony: Furtwängler's own 2nd Symphony. Paul Schmitz, the opera's musical director, trained the musicians, with the help of the recording that had just been released by DGG. Furtwängler was very pleased with this preliminary work.
To supplement this concert, here is a pdf version of the facsimile of the programme. This is the only time Furtwängler conducted this orchestra, and we must give him all the recognition he deserves.
Furtwängler and Paul Schmitz, Kassel 1953
We mentioned the concert agent Harold Holt when we published the facsimile of the programme for the concert of 7 December 1935 in Edinburgh.
In charge of the Berlin Philharmonic’s tours with Furtwängler, he produced the flyer below presenting the planned 1934-35 concert series in Birmingham (“International Subscription Celebrity Concerts”). Among a superb array of artists including Menuhin, Piatigorsky, Horowitz, Conchita Supervia and others, the BPO and its conductor are billed to give a concert on 1 February 1935.
But this was to prove impossible when the time came. Furtwängler had resigned from all his posts in December 1934. His return to favour in the spring of 1935 allowed the tour to take place, but only during the following winter.
We are going to release — on 20 September — an outstanding item that will be a major first for the SWF!
Furtwängler rarely annotated his scores. Except for one: Schumann's 4th Symphony, whose orchestration he reworked (and lightened), as many other conductors did. From 20 September you will be able to download an extensive set of material related to this symphony that extends beyond the recording itself.
The pack — SWF D15 — includes:
— The 1953 DG recording, with the approval of Universal Music, but in high definition audio like you've never heard before. For many of you, this will be a rediscovery! The dynamics are superlative, and the finesse of the timbres owes much to the high-definition quality. Let us underline the fact that only the SWF is proposing this monument restored to its original splendour!
– the facsimile of the score (Breitkopf & Härtel), with Furtwängler's annotations, scanned for the SWF in high resolution by the Zentralbibliothek, Zürich, which is its depositary.
– a study about this revision, published in 2016, and signed by the young conductor Jan Moritz Onken, who agreed to let us translate his work into French and English. This study will allow you to trace and understand Furtwängler's approach to this work.
We would like to thank Andreas Furtwängler, Universal Music, the Zentralbibliothek in Zürich, Jan Moritz Onken and Mark Trautmann, our regular translator, who all responded favourably to our requests, thus contributing invaluably to a greater understanding of Furtwängler.
The bundle will be priced at €15.00, the higher-than-usual price being explained by the cost of the various licences.
Under the terms of our agreement with Universal, this addition to our catalogue will extend over 3 years, and audio files are excluded from streaming. So get the most out of this unique download straight away!
To take inflation into account, the price of digital products will increase – very slightly! — starting September 1.
– Items previously priced at €9 are now €10
– Those at €13 or €14: now €15
– Those at €5: now €6
As usual, we would like to inform you of the latest publication from the Wilhelm Furtwängler Centre of Japan.
This is a boxed set of 4 CDs — ref.: WFHC 059/62 — featuring all the concerts by the Philharmonic in Berlin on 10 February 1952 and 18 May 1953.
These discs are only available to members of the WFCJ. Here is the link to the website: http://furt-centre.com/index.htm.
For the SWF Board, the summer will be a productive one. Let's take a look at our holiday homework:
- Preparations for the Annual General Meeting in November ;
- Upcoming digital product releases for September, November and December, featuring Schumann, Wagner, Haydn, Sibelius, Strauss... In particular, the product to be released on 20 September will be a real event. We'll tell you more at the end of August...
- The publication of some fifteen Furtwängler concert programmes, which have just been acquired by the SWF and which will gradually be added to the "Get the programme" page;
- Preparation of our future audiovisual podcasts;
- An update of our streaming platform.
In any case, there's one less thing to worry about: storing our old physical products. As we've already mentioned, this belongs to the past, as our box is now empty and closed...
As you may have noticed, the SWF hasn't hosted a lecture in a long time, and the few that were scheduled over a year ago had to be cancelled.
There are several reasons for this. First and foremost, the death of Sami Habra, our keynote speaker for almost fifty years, has deprived us of an exceptional speaker and a number of lecture topics. The COVID has also come and gone, and the problem of finding a venue in the Paris region at an affordable price is another reason. But the main reason is undoubtedly the present time. Fewer and fewer members were coming to these meetings, and the reproach of "Parisianism" was recurrent.
The transition to digital technology, which began 7 years ago, is a wonderful opportunity to provide lectures for as many people as possible. We recently presented a video on Bruckner's 8th Symphony. We will be renewing and developing this approach, whether by interviewing a well-known figure or organising a round-table discussion.
The end of face-to-face lectures? Not necessarily, if the right opportunity comes along.
In any case, it marks the end of a systematism, and the birth of a new sharing tool.
The main amphiteatre of the Sorbonne
We regularly publish facsimiles of programmes of concerts given by Furtwängler as conductor of London's Philharmonia Orchestra.
Here is the programme for 25 October 1951 at the Albert Hall, with Dame Myra Hess, an English pianist. Although in France, for example, her name is less familiar than many of her contemporaries, her memory is still very much alive in the hearts of English music lovers.
Roger Smithson provides us with some details.
While vintage newspapers have brought to light concerts that had escaped the census, one must remain cautious and cross-reference such discoveries with other sources.
For example, the Frauenfreude-Mädchenglück, a Czech German-language periodical, in its January 23, 1929 issue, announced a concert by the Vienna Philharmonic at Prague's Lucerna Hall on Monday February 18, with Furtwängler conducting. This visit would have followed the series of fifth subscription concerts at the Musikverein, on the 16th and 17th. It would have included the second half of the program — Mahler's First Symphony — while the first half would have featured Beethoven's Symphony No. 1 and Strauss's Death and Transfiguration. How can you possibly believe that this concert is not actually taking place when you read the last sentence of the concert announcement: tickets are now on sale!
As this Prague escapade is missing from the list of concerts that can be consulted on the Wiener Philharmoniker website, we contacted the Wiener Philharmoniker Archives, and the answer came quickly: although Furtwängler mentions this series of concerts and the Prague concert in a letter dated January 8, this concert does not appear on any of their lists, nor in the printed programs.
The concert was therefore cancelled, but the reason for this remains unknown.
