It is not often that we conjure up the figure of Furtwängler as a composer. Whatever view we may have of his output and the position it may hold in the history of music, we could not, ‘Furtwänglerians’ that we are, neglect what this represented for him in his own eyes.
All the more reason for going back to the fine article of 1995 by Bruno d'Heudières, then still a student and active member of the SWF, for the Revue Musicale de Suisse Romande.
And since all that was needed was a click to find it freely available and download it, we are not going to deprive ourselves of the opportunity!